Track Listing

1. Just A Little Lovin'
2. Anyone Who Had A Heart
3. You Don't Have To Say You Love Me
4. I Only Want To Be With You
5. The Look Of Love
6. Breakfast In Bed
7. Willie And Lauramae Jones
8. I Don't Want To Hear It Anymore
9. Pretend
10. How Can I Be Sure

Product Details

• Amazon Sales Rank: #420 in Music
• Released on: 2008-01-29
• Number of discs: 1

Amazon.com
It's a risky move for any singer to attempt a direct ascent on the towering peaks of Dusty Springfield's evergreen legacy. (Rolling Stone once called Dusty in Memphis the third most "essential" rock album by a woman.) Just a Little Lovin' achieves the unlikely: a tribute to an immortal artist which both glorifies its subject and elevates the worshipper kneeling at her altar. Lynne's 2001 breakthrough, I Am Shelby Lynne, was both utterly fresh and nostalgically infused with a Memphis-like spirit. Much of Just a Little Lovin' is as familiar as an old pair of shoes. Lynne's original contribution, "Pretend," fits snugly between the classics, but it's the loose, practically improvised vibe of this recording that breathes new life into Bacharach and David's "Anyone Who Had a Heart" and, especially, Randy Newman's "I Don't Want to Hear It Anymore." Genius producer Phil Ramone lends the entire collection the kind of intimacy he brought to Paul Simon and Billy Joel's most atmospheric 1970s recordings. Restrained instrumentation--often simply guitar, upright bass, a sprinkling of piano, and light percussion--turn even the teenage bubble-gum anthem "I Only Want to Be with You" into a sultry meditation. It's hard to imagine another recent album more successful in melding retro-reverence with contemporary moderation. The result arouses emotion even as it enchantingly relaxes. --Ben Heege

From the Artist
Dusty Springfield was a soulful singer. You can't ever fill her shoes. So I just set out to sing songs we all want to hear again. The road map I followed when cutting these, was the one she made years ago. It was easy. I just sang and let the songs do the work. I'm so glad I did. Dusty inspired it all.

About the Artist
One day back in the Spring of '05, I received an e-mail from Barry Manilow. We had met at a Grammy function a few years back. Turns out he digs my music. So we've kept in touch over the last couple of years. In Barry's e-mail he asked me if I had ever considered covering the Dusty Springfield songbook. I didn't respond at that time. I had just released my latest record on Capitol called Suit Yourself and was about to take off on the road for a few months. I couldn't wrap my head around anything but going on the road. But, somewhere in the back of my brain I kept the thought closely tucked away.

It wasn't until May of `06 when I went to my manager Betty and asked her what she thought about the idea of recording the Dusty songs. She liked the idea, and thought I should do it. The thing is, I didn't want to just record these songs, I wanted to make the recording simple and important. So, I picked up the phone and called Phil Ramone. I said, "I want to cut the Dusty Springfield songs." He said, "I think we can do that." We talked on the phone for several months starting in July of `06. I'd call him with my thoughts about the songs I loved, and we exchanged and compared our ideas. We were excited. Capitol was chomping at the bit and wanted it out before the end of the year, but I still wanted to wait. So I told Phil that we should cool off until the first of the year to start recording. Let's get through the holidays and start fresh. Also, I wanted to work with recording engineer Al Schmitt, because this record had to sound perfect. January `07 finally came along. We all gathered at the Capitol Records building Studio A. The thought of having Capitol Studio A, Phil Ramone, Al Schmitt, these killer musicians and Dusty Springfield was nerve racking, but I knew I was up to the task. Phil had assembled a group of four guys; Greg Field on drums, Dean Parks on guitar, Rob Mathes on keyboards and Kevin Axt on Bass. We had what we called a "menu" of songs to cut, so we started at the top.

I had wanted to record at the Capitol building my whole career and this was the album to do it. All of the drama I had endured with Capitol Records up to this point finally came to an end. The very week we started recording this album, Capitol Records was no more. My deal with them ended, and for a while this record and I were without a label. That's where Lost Highway enters the picture. When they heard it, they loved it just the way it was. Plain and simple. Cut to tape and zero frills. So, we had a deal.

Customer Reviews

Sublime
It was great to hear those old standards made just a little more smoky, a little darker and a whole lot sultrier. Thanks for that!

not great
this cd is very boring. just not what i thought it would be. heard one song on the radio and thought the whole cd would be like that. mistake!
it just sounds like she didn't really try hard to make this one a winner.

Vinyl LP: Great recording, defective pressing
Just A Little Lovin' is a great album featuring a fine performance from Shelby Lynne and solid, understated production by Phil Ramone.

After hearing the CD, I just had to get it on vinyl. And man do the first few songs on each side sound terrific!

But, and it's a big but, the pressing is defective and the last couple of songs on each side are heavily distorted, to the point where they're basically unlistenable. Hence only two stars for the vinyl version.